his spring and summer’s agronomic university semester will be devoted to contemplation of what Simone Weil calls “the order and beauty of the world.” In what will serve as the theme-setting piece, her essay “Forms of the Implicit Love of God,” she points to an underlying affinity between science, art, religion, and personal love. Each involves our relationship with particular “images” or models of God’s creation as a whole - as beautiful, as coherent, as obedient, or as responsive to us, respectively. 

his spring and summer’s agronomic university semester will be devoted to contemplation of what Simone Weil calls “the order and beauty of the world.” In what will serve as the theme-setting piece, her essay “Forms of the Implicit Love of God,” she points to an underlying affinity between science, art, religion, and personal love. Each involves our relationship with particular “images” or models of God’s creation as a whole - as beautiful, as coherent, as obedient, or as responsive to us, respectively. 

his spring and summer’s agronomic university semester will be devoted to contemplation of what Simone Weil calls “the order and beauty of the world.” In what will serve as the theme-setting piece, her essay “Forms of the Implicit Love of God,” she points to an underlying affinity between science, art, religion, and personal love. Each involves our relationship with particular “images” or models of God’s creation as a whole - as beautiful, as coherent, as obedient, or as responsive to us, respectively. 

his spring and summer’s agronomic university semester will be devoted to contemplation of what Simone Weil calls “the order and beauty of the world.” In what will serve as the theme-setting piece, her essay “Forms of the Implicit Love of God,” she points to an underlying affinity between science, art, religion, and personal love. Each involves our relationship with particular “images” or models of God’s creation as a whole - as beautiful, as coherent, as obedient, or as responsive to us, respectively. 

his spring and summer’s agronomic university semester will be devoted to contemplation of what Simone Weil calls “the order and beauty of the world.” In what will serve as the theme-setting piece, her essay “Forms of the Implicit Love of God,” she points to an underlying affinity between science, art, religion, and personal love. Each involves our relationship with particular “images” or models of God’s creation as a whole - as beautiful, as coherent, as obedient, or as responsive to us, respectively.